April 13, 1999

The Studio - Village Voice Interview

Sound Factory
Charting Musical Dreams
by Tina Whelski

A generation ago, teens with headlining hopes dreamed of riffing with guitar god Jimi Hendrix. Soon, though, reveries gave way to reality and, as careers and family took center stage, music became a spectator sport.

But, for baby boomers with visions of Stardust dancing through their heads, their passion now has an outlet: the Studio, a year-old club and full-service studio whose motto is "You don't have to quit your day job to be a musician."

"A lot of people don't come here with grandiose ideas of becoming rock and roll stars, but they want a taste of it, and that's what we offer," says Bob Elliott, the club's president and cofounder.

Tuned to the needs of the city's aspiring musicians, the Studio provides a medley of instruction and networking opportunities. Beginners as well as veterans are invited to meet, organize a band, rehearse, or jam, and the Studio maintains a database that helps match melody makers with others who share their tastes and ability. Some of the additional services they offer are music clinics, lessons, and in-house guitar repairs.

The composition has proven to be successful. Since opening last April, the club has grown to 230 members from widely divergent backgrounds, including full-time musicians, CEOs, doctors, brokers, mechanics, lawyers, and television anchors, many of whom participate in the monthly "Performance Nites" series. Held at local venues such as the Bitter End, Millennium, Le Bar Bat, and Downtime, the gigs allow up-and-comers to showcase their talent before a live audience and are also featured on the Studio's own public access program, The Scene.

"People want to self-realize," says member Bruce Wilcox, chairman of an investment management firm, of the shows' allure. "To play the Bitter End when they're packed 10 deep and everyone's singing along and cheering you on— that's the fulfillment of the wish."

The Studio is located at 251 West 30th Street. For additional information, call 967-6124.

Originally published in The Village Voice 4/13/99.

January 26, 1999

Eric Riss, Ph.D. - Village Voice Interview

Mental Block
by Tina Whelski

Suffering from a creative block? Your problem may be nothing more than the fact that you think there's something wrong with you.

People whose originality and creativity are a significant part of their lives tend to be more sensitive to their environments, says psychotherapist Eric Riss, who works with artists, writers, performers, and other creative people. When artists mistake this sensitivity as a sign that they are out of tune with what's going on around them, he suggests, they can kill their own creativity. Everyday problems like depression, anxiety, and lack of confidence tend to be magnified by this heightened awareness. Combined with society's expectations for conformity, these feelings of inadequacy can cause creative people to become frustrated by their own uniqueness.

Therapy that recognizes there's nothing wrong with the artist can be life-changing. Creative people don't need to be medicated or calmed down, says Riss; they need encouragement to find a sense of confidence. When artists identify the voices that stifle their unique way of expressing things, they can learn to ignore them.

Contact: Eric Riss, Ph.D., 988-4700

Originally published in The Village Voice 1/26/99.